{"id":1809,"date":"2023-01-12T23:04:24","date_gmt":"2023-01-12T23:04:24","guid":{"rendered":"https:\/\/shinyangwork.com\/?page_id=1809"},"modified":"2025-01-23T07:31:07","modified_gmt":"2025-01-23T07:31:07","slug":"about","status":"publish","type":"page","link":"https:\/\/shinyangwork.com\/?page_id=1809","title":{"rendered":"about"},"content":{"rendered":"\n<div style=\"height:45px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Shin Yang is an artist and spatial designer based in Los Angeles and Taipei. Rooted in her academic background in art and architecture, her multidisciplinary approach explores diverse ways of experiencing space. Her work delves into themes of urban environments, memory, and spatial perception, examining both the psychological and physical dimensions of spaces. Her ongoing project, <em>Palimpsest<\/em>, funded by the National Culture and Arts Foundation Grant, investigates the fluidity of spatial memory and its representations through an AI-driven immersive experience. <\/p>\n\n\n\n<p>As a recipient of the John K. Branner Fellowship, Yang embarked on a three-month research journey across nine countries in 2022. Earlier, in 2017, she participated in a six-month exchange program at the Academy of Fine Arts in Prague. She received the Chester Miller Fellowship in 2023 for her project <em>Detours &amp; Deviations<\/em> and earned her Master of Architecture from UC Berkeley the same year, following a Bachelor of Fine Arts from Taipei National University of the Arts in 2018. Yang actively collaborates with visual artists, architects, curators, and scenic designers.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><img decoding=\"async\" loading=\"lazy\" width=\"300\" height=\"300\" src=\"https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-300x300.jpg\" alt=\"\" class=\"wp-image-1986\" srcset=\"https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-300x300.jpg 300w, https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-1024x1024.jpg 1024w, https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-150x150.jpg 150w, https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-768x768.jpg 768w, https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-1536x1536.jpg 1536w, https:\/\/shinyangwork.com\/wp-content\/uploads\/2023\/01\/IMG_1990-2-2048x2048.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>1996 born in Taipei, Taiwan.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-small-font-size\">GRANTS<\/h6>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><strong>National Culture and Arts Foundation Grant<\/strong><br>The National Culture and Arts Foundation (NCAF) was established to create a favorable environment for the development of arts and culture, encourage professional undertakings, and raise cultural standards in Taiwan. Yang received a generous grant from NCAF in 2024 for her ongoing project, <em>Palimpsest<\/em>. The grant will fund the entire, two-year development of this project starting January 2025.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2023<\/h3>\n\n\n\n<p><strong>Chester Miller Fellowship<\/strong><br>The Chester Miller Fellowship celebrates exceptional research and design in architecture. Yang received this award for her project, <em>Detours &amp; Deviations<\/em> (2023), an immersive experience that dynamically integrates memories, participant behaviors, and AI technology.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><strong>John K. Branner Fellowship<\/strong><br>The John K. Branner Fellowship supports independent travel to explore specific architectural questions or issues. Among its applicants, Yang was recognized for her research into the mental structures of urban environments.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-small-font-size\">INTERNATIONAL COMPETITIONS<\/h6>\n\n\n\n<h3 class=\"wp-block-heading\">2024<\/h3>\n\n\n\n<p><strong>Shortlisted <strong>\u2013<\/strong> London International Creative Competition \u2013 Professional Category<\/strong><br><em>Portraits of Places<\/em> (2023)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2022<\/h3>\n\n\n\n<p><strong>Shortlisted \u2013 International Architecture Competition \u2013 Home for the Blind<\/strong><br><em>Touch House <\/em>(2022)<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-small-font-size\">RESIDENCIES<\/h6>\n\n\n\n<p><strong>Can Serrat \u2013 International Art Residency<\/strong> (2025); El Bruc, Spain<br>A six-week residency for visual artists, multidisciplinary artists, and writers from around the world.<\/p>\n\n\n\n<p><strong>Hualien Stone Sculpture Studio Program<\/strong> (2015); Hualien, Taiwan<br>A one-month residency offering artists the opportunity to create within multiple stone sculpting studios in Hualien. <\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-small-font-size\">COLLABORATIONS<\/h6>\n\n\n\n<p><strong>VR Installation<\/strong><br><em>Palimpsest<\/em> (2025-);<em> <\/em>Paul Wang, Hanyi Zhang<br><em>Detours &amp; Deviations<\/em> (2022-2024); Paul Wang<br><em>Through the Looking Glass<\/em> (2023); Eric Wang, Paul Wang, Kevin Wang, Jasmine Zheng<\/p>\n\n\n\n<p><strong>Architectural Design<\/strong><br>Michael Maltzan Architecture (2024)<br>YWR Architects (2023-2024)<\/p>\n\n\n\n<p><strong>Media Installation<\/strong><br><em>Time Decay<\/em> (2024); Arianna Khmelniuk<br><em>Carbonivore<\/em> (2023); Asma Kazmi, Jill Miller <br><em>228-Meter Decoration<\/em> (2017); David Brna<\/p>\n\n\n\n<p><strong>Scenic Design<\/strong><br><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.berkeleyrep.org\/shows\/english\/\" data-type=\"URL\" data-id=\"https:\/\/www.berkeleyrep.org\/shows\/english\/\" target=\"_blank\">English<\/a><\/em> (2023) \/ Berkeley Repertory Theatre, Berkeley, CA, United States <br><em><a rel=\"noreferrer noopener\" href=\"https:\/\/tdps.berkeley.edu\/productions\/bdp-2023\" data-type=\"URL\" data-id=\"https:\/\/tdps.berkeley.edu\/productions\/bdp-2023\" target=\"_blank\">Within These Walls<\/a><\/em> (2023), <em><a rel=\"noreferrer noopener\" href=\"https:\/\/tdps.berkeley.edu\/productions\/red-brown-water\" data-type=\"URL\" data-id=\"https:\/\/tdps.berkeley.edu\/productions\/red-brown-water\" target=\"_blank\">In the Red and Brown Water<\/a><\/em> (2022) \/ Zellerbach Playhouse, Berkeley, CA, United States <\/p>\n\n\n\n<p><strong>Graphic Design <\/strong><br>Ghibli Graduate Guild Logo (2023); Ghibli Graduate Guild<br><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.roomonethousand.com\/shop\/10-body-performance\" data-type=\"URL\" data-id=\"https:\/\/www.roomonethousand.com\/shop\/10-body-performance\" target=\"_blank\">Issue 10 &#8220;Body+Performance&#8221;<\/a><\/em> (2022) at Room One Thousand<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-small-font-size\">SELECTED EXHIBITIONS<\/h6>\n\n\n\n<p><em>Liminal Spaces<\/em> (2023); <a href=\"https:\/\/www.platformart.space\/\" data-type=\"URL\" data-id=\"https:\/\/www.platformart.space\/\" target=\"_blank\" rel=\"noreferrer noopener\">Platform Artspace<\/a>, Berkeley, CA, United States<\/p>\n\n\n\n<p><em>On Detour<\/em> (2023); Bauer Wurster Hall, Berkeley, CA, United States<\/p>\n\n\n\n<p><em>Branner, Stump &amp; Beckerman Returning Fellows Exhibition<\/em> (2023); Bauer Wurster Hall, Berkeley, CA, United States<\/p>\n\n\n\n<p><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/events\/452868778501157\/?paipv=0&amp;eav=AfZLEhD71BCA5Xzqcty2yBpo3e4Z1_RigI1rw-3ldOZB-agh8ysijEfzuh-8HZT6kU0&amp;_rdr\" data-type=\"URL\" data-id=\"https:\/\/www.facebook.com\/events\/452868778501157\/?paipv=0&amp;eav=AfZLEhD71BCA5Xzqcty2yBpo3e4Z1_RigI1rw-3ldOZB-agh8ysijEfzuh-8HZT6kU0&amp;_rdr\" target=\"_blank\">95-3 Geographical Park<\/a><\/em> (2018); joint exhibition with artist Han-Jou Hou; Wanhua, Taipei, Taiwan<\/p>\n\n\n\n<p><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/events\/%C5%A1aloun-the-studio-of-visiting-artist-avu-prague\/%C5%A1aloun-collectivity-problems-research-itinerant-institute\/1420116384765090\/\" data-type=\"URL\" data-id=\"https:\/\/www.facebook.com\/events\/%C5%A1aloun-the-studio-of-visiting-artist-avu-prague\/%C5%A1aloun-collectivity-problems-research-itinerant-institute\/1420116384765090\/\" target=\"_blank\">\u0160aloun Collectivity Problems Research Itinerant Institute<\/a><\/em> (2017); \u0160aloun, Prague, Czech Republic<\/p>\n\n\n\n<p><em><a rel=\"noreferrer noopener\" href=\"http:\/\/elastisch.net\/shaloun\/parcours.html\" target=\"_blank\">Bird on a Wire<\/a><\/em> (2017); \u0160aloun, Prague, Czech Republic<\/p>\n\n\n\n<p><em>From Another World<\/em> (2017); Puli, Nantou \/ Art Lynn, Sanyi, Miaoli, Taiwan<\/p>\n\n\n\n<p><em>Stone Sculpture &#8211; Life<\/em> (2016); National Taitung Living Art Center, Taitung, Taiwan<\/p>\n\n\n\n<p><em>Ka-Shan<\/em> (2016), TNUA Underground Gallery, Taipei, Taiwan<\/p>\n\n\n\n<p><em>Exhibition of Hualien Stone Sculpture Studio Program<\/em> (2015); Hualien Art Museum, Hualien, Taiwan<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading has-small-font-size\">EDUCATION<\/h6>\n\n\n\n<h3 class=\"wp-block-heading\">2020 &#8211; 2023<\/h3>\n\n\n\n<p><strong>University of California, Berkeley<\/strong><br>Master of Architecture (M.Arch)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2017 &#8211; 2018<\/h3>\n\n\n\n<p><strong>Academy of Fine Arts in Prague<\/strong><br>Exchange Student Program<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2014 &#8211; 2018<\/h3>\n\n\n\n<p><strong>Taipei National University of the Arts<\/strong><br>Bachelor of Fine Arts (BFA)<br>Graduated with Highest Academic Distinction<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shin Yang is an artist and spatial designer based in Los Angeles and Taipei. Rooted in her academic background in art and architecture, her multidisciplinary approach explores diverse ways of experiencing space. Her work delves into themes of urban environments, memory, and spatial perception, examining both the psychological and physical dimensions of spaces. Her ongoing<\/p>\n<div class=\"theme-link-more\"><a href=\"https:\/\/shinyangwork.com\/?page_id=1809\" class=\"theme-more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;about&#8221;<\/span> <svg class=\"svg-icon\" aria-hidden=\"true\" role=\"img\" focusable=\"false\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\"><path fill=\"currentColor\" d=\"M16.172 9l-6.071-6.071 1.414-1.414 8.485 8.485-8.485 8.485-1.414-1.414 6.071-6.071h-16.172v-2z\" \/><\/svg><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false},"_links":{"self":[{"href":"https:\/\/shinyangwork.com\/index.php?rest_route=\/wp\/v2\/pages\/1809"}],"collection":[{"href":"https:\/\/shinyangwork.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/shinyangwork.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/shinyangwork.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/shinyangwork.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1809"}],"version-history":[{"count":162,"href":"https:\/\/shinyangwork.com\/index.php?rest_route=\/wp\/v2\/pages\/1809\/revisions"}],"predecessor-version":[{"id":2947,"href":"https:\/\/shinyangwork.com\/index.php?rest_route=\/wp\/v2\/pages\/1809\/revisions\/2947"}],"wp:attachment":[{"href":"https:\/\/shinyangwork.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}